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#TBT Reel Review: Halloween (1978)

unknown-1October 31st, 1995 was a day that will live in infamy for a young boy. On that evening, after a night of trick or treating, that young boy turned on USA Network and caught the end of what would become the film that not only created a fan of a genre but a fan of a film that would ultimately enter his top 10 favorite films. That young boy was me and that film was John Carpenter’s masterpiece, Halloween. 

While there is no denying the brilliance of Alfred Hitchcock’s Pyscho, Halloween is the horror genre’s definitive entry used by directors and writers as a blueprint. While there may be differences in opinion on whether or not Halloween is the best horror film of all time, I am one to think that not only is it the best horror film, but a film that changed the landscape of the genre.

unknown-5While Psycho provided us with a back story and reasoning to Norman Bates’s madness, John Carpenter chose an alternate route. The film opens with 6-year-old Michael Myers stabbing his sister in 1963 without rhyme or reason. 15 years later, Myers escapes and returns to Haddonfield, Illinois. He stalks and terrorizes 3 girls and a boyfriend, without reason. I found that to be an essential point to the success of the film. The real horror is when we don’t know or can’t explain why someone does something.

In this society, everyone wants a method to a madness. Michael Myers doesn’t have a method. He is the Shape, an emotionless machine who is the true definition of evil. The scene that depicts that perfectly is the final scene. After being shot 6 times, suddenly Loomis looks to see if Myers is dead, but he’s gone. All we hear and see are shots from the locations he visited throughout the film and heavy breathing. The idea of evil being everywhere and no one knows when or where it will strike them.

The film’s brilliance can be credited to John Carpenter. In its infancy in 1978, Carpenter’s use of the Steadicam was able to capture a feeling of real life tension and calculation by the shape as the camera lens moves itself allowing the audience to feel like they are watching Laurie, Annie, and Linda through the eye of Myers. While modern day cinephiles may be overfamiliar with these filming methods, Carpenter’s genius at creating pure horror and fear without an over saturation of kills and gore can not be ignored.

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Jaime Lee Curtis is endearing and truly arrives in Halloween. She becomes the scream queen the 70’s and 80’s fans of horror will always hold dear to their heart. However, there is no Halloween without the performance of Donald Pleasence as Dr. Sam Loomis (a tribute to the character in Psycho). Pleasance is a true master of his craft and uses his talent to portray Loomis in the final scene of the film with not only a shocked reaction to Myer’s disappearance but an “I knew this would happen” expression, adding to the allure of the character of Michael Myers.

Along with its direction and performances, no Halloween review is complete without mentioning its score. Halloween is responsible for providing one of the best scores in film history. In 2016, everyone that hears that theme knows where it comes from. Every piece of music used in the film sets up and assists the scenes perfectly.

The film set the standard for horror and the slasher film genre and is one of the most influential, imitated, and commercially successful independent films in history.

Reel Talk gives Halloween 4 Reels

4REEL

David Gonzalez
David Gonzalez is the founder and chief film critic of The Cinematic Reel (formerly Reel Talk Inc.) and host of the Reel Chronicles podcasts. A Cuban American independent film critic, David has built The Cinematic Reel around passionate, thoughtful film criticism spanning every genre, while championing diverse voices and perspectives across the industry. David is a Rotten Tomatoes Tomatometer-Approved Critic and currently serves as Vice President of the New Jersey Film Critics Circle (NJFCC). He is also a member of New York Film Critics Online (NYFCO), the Online Film Critics Society (OFCS), and the Latino Entertainment Journalists Association (LEJA). His festival coverage has included the Sundance Film Festival, Toronto International Film Festival (TIFF), New York Film Festival (NYFF), Tribeca Festival, and SXSW, among others. Through The Cinematic Reel, David provides year-round reviews, festival coverage, awards-season analysis, interviews, and commentary on both major studio releases and independent cinema. An avid film collector, lifelong cinephile, and dedicated awards watcher, David brings an enthusiastic and knowledgeable perspective to his writing and podcasting. His criticism has been featured in film marketing campaigns and physical-media releases, further establishing The Cinematic Reel as a growing independent voice in film criticism. For screening invitations, review opportunities, festival coverage, and other press inquiries, David can be reached at david@thecinematicreel.com.

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