David's Reel ReviewsReel ReviewsReel Talk IncTribeca Film Festival

See for Me – Tribeca 2021

Home invasion horror/thrillers have been a staple of the genre for decades upon decades. Some of the terrifying moments in the film are most effective when the audience feels a level of discomfort as our home is where we are most relaxed.

Any entry about home invasion needs to set itself apart from and in a similar fashion to Mike Flanagan’s 2016’s Hush.  See for Me surpasses expectations and traditional tropes by offering up an original fresh take on this oversaturated subgenre. 

See for Me tells the story of Sophie (Skyler Davenport), a once highly successful skier, but blindness has cut her once-promising career short. That said, her career being taken away from her has led to resentment in Sophie, but she intends to make things work on her own. Sophie takes on a cat-sitting job at a secluded mansion and goes to extremes to hide her blindness from the owner to show she is capable. While housesitting, three thieves break in, not realizing anyone is home. Sophie’s only means of defense and evasion comes from a phone app, See For Me, where an avid gamer, Kelly (Jessica Parker Kennedy), on the other side is her set of eyes throughout the tormenting experience. 

While Director Randall Okita uses a familiar home invasion setup, Kelly and Sophie’s conversations guide the film’s most tense moments. While Sophie’s blindness enhances the suspense, it’s not a crutch that Okita uses to push forward his story. The actual deterrent to Sophie is her stubbornness to accept any assistance, which is seen in her first interaction with Kelly as Sophie locks herself out of the house before the events take place that evening. This stubbornness creates intriguing chemistry between Sophie and Kelly. 

One of Okita’s best choices was making Kelly an avid gamer. The film turns into a “live-action first-person shooter,” which is seen through Jackson Parrell and Jordan Oram’s cinematography. Along with that, the lodge Sophie is cat-sitting is turned into a character and maze of horror.  

Okita and his team set the atmospheric stage. It’s Skyler Davenport’s performance that stands out. Davenport, a visually impaired actor makes her film debut here. She has quite the problematic chore of maintaining fear and tension throughout, and she nails it. Another aspect of Davenport’s performance that works for me is that Sophie is not the cookie-cutter-perfect protagonist. She is a flawed lead that makes questionable choices throughout the film.

Unfortunately, the thieves themselves are not much to be intimidated by. While the aspect of strangers invading your home is fearful on its own, these thieves aren’t quite menacing and the overall motive for the invasion falls a bit flat. Ultimately, it doesn’t reinvent the wheel when it comes to the antagonists.

Despite that, See for Me is a simple story done right as the film blends in the home invasion while also a character examination that ultimately has Sophie work through her inner demons and doubts. In an era where many horror/thriller fans are looking for a fresh take, See for Me steps up to the plate with an engaging entry in the genre.

David Gonzalez
David Gonzalez is the founder and chief film critic of The Cinematic Reel (formerly Reel Talk Inc.) and host of the Reel Chronicles podcasts. A Cuban American independent film critic, David has built The Cinematic Reel around passionate, thoughtful film criticism spanning every genre, while championing diverse voices and perspectives across the industry. David is a Rotten Tomatoes Tomatometer-Approved Critic and currently serves as Vice President of the New Jersey Film Critics Circle (NJFCC). He is also a member of New York Film Critics Online (NYFCO), the Online Film Critics Society (OFCS), and the Latino Entertainment Journalists Association (LEJA). His festival coverage has included the Sundance Film Festival, Toronto International Film Festival (TIFF), New York Film Festival (NYFF), Tribeca Festival, and SXSW, among others. Through The Cinematic Reel, David provides year-round reviews, festival coverage, awards-season analysis, interviews, and commentary on both major studio releases and independent cinema. An avid film collector, lifelong cinephile, and dedicated awards watcher, David brings an enthusiastic and knowledgeable perspective to his writing and podcasting. His criticism has been featured in film marketing campaigns and physical-media releases, further establishing The Cinematic Reel as a growing independent voice in film criticism. For screening invitations, review opportunities, festival coverage, and other press inquiries, David can be reached at david@thecinematicreel.com.

    You may also like

    Comments are closed.