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Late Night with the Devil

There’s no denying my deep love for the horror genre. From the obscure to its mainstream counterpart, I’ve explored every nook and cranny. Yet, amidst this exploration akin to Dr. Indiana Jones, there are certain discoveries that have left me with a sour taste in my mouth. None more so than the found footage sub-genre, which has dominated horror since the release of 1999’s Blair Witch Project—a film I’ve unapologetically loathed since my first viewing years ago.

However, in life and in film, even a broken clock is right twice a day. That moment has arrived in the form of Colin and Cameron Cairnes’ found footage gem, Late Night with the Devil. I’ve been eagerly anticipating this film since I first heard about it on Marc Bernardin’s podcast, Fatman Beyond. His praise for the film and its marketing had me hooked, ensuring I wouldn’t miss it.

My anticipation was rewarded in devilishly horrific fashion as Late Night with the Devil offers a fresh take on the found footage genre, brimming with gnarly gore and dark humor. Colin and Cameron Cairnes have crafted an exhilarating exercise in suspense and dread that’s nothing short of a chef’s kiss of horror delight.

The film follows the harrowing events of Halloween night, 1977, as Jack Delroy (David Dastmalchian), rival to Johnny Carson, hosts his dwindling syndicated talk show, Night Owl. Once a beloved ratings magnet, the show has become a sinking ship since Delroy’s wife passed away. With Halloween looming, Delroy plans an evening of evil that shocks and awes viewers across the country.

Cameron and Colin Cairnes’ screenplay and direction are both confident and authentic. They never run out of steam, sprinkling breadcrumbs throughout that pay off in satisfyingly haunting fashion. The duo’s use of black and white for “backstage” moments and color for the real-time airing of Night Owl adds to the film’s eerie atmosphere, making viewers feel like they’re witnessing an event they shouldn’t be privy to.

As a long-standing fan of David Dastmalchian’s work, it’s fantastic to see him in a leading role where he can truly showcase his talents as one of the industry’s best character actors. Dastmalchian delivers a riveting and tragic portrayal that perfectly fits the film’s overarching themes of loss and moving forward.

Dastmalchian is supported by strong performances from Ian Bliss, Laura Gordon, and Ingrid Torelli. Bliss plays the slimy skeptic who casts doubt on the ongoing events, while Gordon and Torelli deliver some of Late Night with the Devil‘s most chilling moments.

Late Night with the Devil is one of the most impressive feats of 2024 so far. It’s a horror gem that revitalizes a tired old trope with layered originality, making it one of my favorite entries in the found footage genre. With the Cairnes Brothers’ effective direction and David Dastmalchian’s committed performance, Late Night with the Devil is a film worth staying up late for.

David Gonzalez
David Gonzalez is the founder and chief film critic of The Cinematic Reel (formally Reel Talk Inc.) and host of the Reel Chronicles and Chop Talk podcasts. As a Cuban American independent film critic, David writes fair and diverse criticism covering movies of all genres and spotlighting minority voices through Reel Talk. David has covered and reviewed films at Tribeca, TIFF, NYFF, Sundance, SXSW, and several other film festivals. He is a Rotten Tomatoes Tomatometer-Approved Critic and a member of the Latino Entertainment Journalists Association (LEJA), New York Film Critics Online, Hollywood Film Critics Association, the North American Film Critic Association and the International Film Society Critics Association. As an avid film collector and awards watcher, David's finger is always on the industry's pulse. David informs and educates with knowledgeable and exciting content and has become a trusted resource for readers and listeners alike. Email him at david@reeltalkinc.com or follow him on Twitter and Instagram @reeltalkinc.

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