Broadway musical film adaptations have long been a Hollywood staple, but few manage to live up to the hype generated by their Broadway predecessors. For every Chicago or The Sound of Music, there’s a Phantom of the Opera struggling to capture the same magic.
Since the release of Gregory Maguire’s 1995 novel Wicked: The Life and Times of the Wicked Witch of the West and its Broadway smash hit counterpart, a film adaptation of Wicked has felt inevitable. Now, as the 4th longest-running Broadway show in history celebrates its 20th anniversary, the years of stops and starts are over, and Wicked has finally arrived.
Jon M. Chu’s Wicked defies gravity—and expectations. It’s a cinematic yellow brick road of stunning visuals, intricate production design, dazzling costumes, and impeccably crafted musical numbers. Wicked not only stands as one of 2024’s best films but also earns its place as one of the finest Broadway musical adaptations ever to grace the silver screen.
A New Perspective on Oz
Based on Maguire’s novel, Wicked flips the narrative of The Wizard of Oz on its head, telling the story of Elphaba, the Wicked Witch of the West, and Glinda the Good Witch. The film explores their unlikely friendship and the bond that shapes not only their futures but also their public perceptions in the land of Oz. Set against a backdrop of political scheming and deception, the duo’s significance to Oz is more relevant than ever.
Winnie Holzman and Dana Fox’s screenplay resonates powerfully with today’s social climate. The film features a con artist—self-congratulatory, cowardly, and prone to spreading misinformation—attempting to marginalize a specific demographic in Oz. Sound familiar? This unintentional mirroring of current events adds depth to the narrative.
While staying true to the Broadway production, the screenplay highlights Wicked’s core themes of acceptance and friendship. Jon M. Chu’s direction is impeccable, crafting a world that rivals the immersive magic of early Harry Potter films. From Shiz University to the glittering landscapes of Oz, Chu’s world-building fully transports the audience.
Spellbinding Performances
Few characters are as beloved on Broadway as Glinda and Elphaba, and with that adoration comes immense pressure. Cynthia Erivo and Ariana Grande not only rise to the occasion but cast their own spell over the audience. Both actresses bring unique talents to their roles, honoring the iconic Broadway portrayals while making the characters their own. Their electrifying chemistry, comedic timing, and emotional depth form the heart of the film. Erivo is commanding as Elphaba, while Grande’s Glinda dazzles with a career-defining performance that feels Oscar-worthy—and possibly Oscar-winning.
The ensemble cast is equally sublime. Jonathan Bailey shines as Fiyero, lighting up the screen with “Dancing Through Life.” Supporting turns by Michelle Yeoh, Peter Dinklage, and Jeff Goldblum add gravitas and charm, elevating the film further. Together, the cast brings richness to Wicked’s musical numbers and narrative beats.
Minor Stumbles
Where Wicked stumbles is its length. At 2 hours and 40 minutes, the runtime allows scenes to breathe but occasionally stretches too thin, leaving some character motivations underdeveloped. The two-part structure places much of the thematic exploration—power, prejudice, and corruption—on hold, leaving audiences longing for more depth in certain areas.
A New Classic
Ultimately, Wicked is an unexpected gem. What began with tempered expectations blossoms into a vibrant, moving, and enthralling journey. The film underscores the idea that perception is reality and reminds us that even the label “wicked” has two sides. With its unforgettable performances, breathtaking visuals, and timeless themes, Wicked elevates the art of Broadway adaptations and firmly establishes itself as one of the year’s best.
